Working with a remote editor is both simple, cost effective, and worry-free. As technology offers a variety of ways to communicate, it's as if the editor was right down the hall.

Using an inexpensive drive (USB 3.0, Firewire, Thunderbolt connections), the media to be edited would get copied to the drive, and the drive shipped out to the edit bay. If any additional material needs to be added at a later date, it can be sent either via email, or through a service like Dropbox for larger files.

Once the files are in-hand, the editing can begin. As a producer, there are many ways to discuss the direction of the show, including Skype, FaceTime, and even through phone calls and email.

An Avid sequence can be emailed daily, which will automatically relink to the media that is mirrored at the Post-Production office. In the case that there isn't an actual facility, the current cut can be exported into a Quicktime, along with burned-in sequence timecode.
With the timecode in sync with the cut, any questions, notes, or compliments as to the brilliance of the edit can be easily referenced as if the producer was screening the cut in the bay.

Of course, since there is no bay, there's no bay rental. And because the Avid is off-site, there's no system rental either. By editing remotely, you can put your post-production savings right back into the production, while still working with an A-List editor.

When it comes to selling your television show, editing is the key to getting the network’s attention. From music, to story, to finding the right amount of flash, a Sizzle Reel has to grab the viewer from the first minute and hold their attention to the last frame.

Having edited dozens of sizzle, pitch, and pilot reels for both the Big Four Networks and countless cable channels, I have the knowledge and experience to maximize your footage and help you find the story that will sell.

Looking to take your corporate production to the next level? I can work with you on all aspects of your production. From concept to final product, I’ll help shape your vision and maximize the results.

Whether it’s an event video, a how-to or training video or content for your brand social media presence, I’ll bring the story and message together for a final result that wows your audience.

Raising money for charity, a passion project, or even the perfect hot-dog griller? Nothing gets your message across like video. I can help you paint the ideal picture to explain your concept.

I can work with footage that you’ve shot, acquired (found/purchased), or we can arrange to shoot new footage… And the final result will grabs people’s attention and help you raise the funding that you need.

If you’re a production company shooting a project in the Midwest, you can still have an editor on-set. No more wasted footage or wasted shoot days, I’ll work with your production team to come up with shot-charts, coverage, and especially the b-roll that your production needs.

Having an editor in the field will save you countless headaches in the edit bay. And I’ll make sure all the necessary footage makes it’s way back to post.